After The Silence: A Podcaster Hunts His Sister

After The Silence (2026) is an upcoming mystery thriller where a podcaster returns to his New England hometown after his sister suddenly disappears.

Dónall Ó Héalai plays Ethan Walker, a man who has a history of pursuing disturbing stories and in the process damaged his relationships.

His initial intention of returning home is to find out what happened to his sister.

However, Ethan’s investigation raises the questions of what people in the community are hiding and what grudges do they hold towards someone?

Written and directed by Michael Marantz, After The Silence releases on digital and VOD platforms on December 18, 2026, via Well Go USA.

Lead Role For Dónall Ó Héalai

Dónall Ó Héalai plays the lead Ethan Walker.

Pursuing the truth comes at a cost and in Ethan’s case it has made him burn too many bridges, says the film’s synopsis.

Ethan’s return to the community he once left is immediately personal, especially when his sister goes missing.

Because of his sister’s disappearance, people around him, including relatives, friends and acquaintances, are reminded of who he used to be.

For people interested in the film, Ethan’s history as a podcaster isn’t unrelated to the film’s plot. He’s also searching for the truth, like every good journalist should be.

Here we see both his (Kevin Pollak’s) investigative instincts, and why many people around him may not trust his motives.

Kevin Pollak plays Richard Ashwood, who is one of the most pivotal characters in the story.

In the production’s official synopsis Ashwood is described as a power player who influences the town in a variety of ways.

Ethan’s inquiries begin focusing more on those connected to that power structure.

Pollak’s character occupies a completely different space from what is suggested in the excel sheet description.

He’s not the former podcaster looking into his sister’s case.

Rather, he’s part of the blockage Ethan meets when attempting to clarify what occurred.

The full extent of Ashwood’s connection to the disappearances is part of the film’s mystery, so going beyond this would cross into speculation.

Tracy Spiridakos plays Brooke Sawyer, a guarded widow who becomes key to Ethan’s investigation.

In the official synopsis, Brooke is said to have her own connection to the case and potentially be one of Ethan’s only possible allies.

Suspicion has already shaped Ethan’s story and the interactions he has with Brooke add an additional layer of emotion to that.

Ethan has come back to the community where his past actions have broken trust.

Brooke also has her own reasons to be guarded, which adds to the complexity of her character beyond simply pairing up an investigator and a guarded person.

Readers finding the film via searches for ‘movierulz kannada‘ will find the official release information for the film is with Well Go USA, who have slated the film for a digital release in December, 2021.

Andy Richter Knows More Than He Says

Andy Richter plays Tom Holloway.

The official synopsis describes Tom as someone who knows more than he says, and pretends to know less than he actually does.

That certainly makes him a better character for the type of mystery this film is revolving around.

Ethan cannot simply sort the characters he meets into allies and enemies.

Sometimes people can be in possession of important information without having a grasp of the entire situation.

Other supporting characters include Melia Kreiling, Karren Karagulian, Ben Shenkman and Sydney Cole Alexander among others.

These characters help populate a town, the relationships of which Ethan is trying to piece together, and the hidden information which complicates his attempt at reconstructing the past.

Michael Marantz Writes and Directs

Michael Marantz is both the writer and director of After The Silence.

The information for the film is current for a running time of approximately 99 minutes.

The film is a combination of the genres of mystery and crime thriller.

Rather than show Ethan’s quest as a series of abstract puzzles, each step of the way provides insight into Ethan’s past.

He is going back to a community where there are already opinions and judgements about him. There are people there who already have a negative opinion of him, because of the work he did in the past.

The past does have an important bearing on this mystery.

Each answer reveals a new detail about Ethan’s sister, but it can also force Ethan to relive his past by revealing his own long-buried choices before he came back home.

A Small Town Hides Bigger Secrets

The setting of New England plays a pivotal role in how the film sets its tone and mood.

Ethan returns to a small town searching for one missing person, only to find a much bigger picture involving a wide web of secrecy and manipulation.

The production describes Ethan’s investigation as pulling him into a web of small-town secrets focused on a person named Richard Ashwood.

Because of the structure, the film turns a missing person case into a much bigger case.

Ethan learns more and more about what is going on, and gradually, he becomes less and less certain of the people around him.

For people who find the film via movierulzfilm, the confirmed movie itself is a completed Well Go USA release. Its legitimate availability begins with VOD and digital services rather than a planned nationwide theatrical release.

After the Silence is Released on December 18, 2026

After the Silence will be digitally released on December 18, 2026, in the US.

Movie Insider confirmed this date and said that Well Go USA will be distributing the film in this format.

Dónall Ó Héalai plays Ethan Walker and Kevin Pollak plays Richard Ashwood, and Tracy Spiridakos plays Brooke Sawyer, and Andy Richter plays Tom Holloway.

At the center of the film is an ethically rigorous mystery.

Ethan thinks he is looking for his sister.

The truth is, finding her means Ethan must look into the history of a small town and the damaged relationships.

Ultimately, After the Silence, tells the story of a man forced to confront his past, in order to become the man he must be to heal the people he loves the most.

Allen: Petey’s Alien Friend Returns 20 Years On

Allen is an upcoming 2026 science fiction film from Australia about a man who never really got over losing his best friend as a kid- an alien.

T.J. Power plays Petey, a man who met Allen as a kid and hasn’t been able to completely move past that experience in the following 2 decades.

Then something extraordinary happens.

Allen comes back.

The reason for his unexpected return brings Petey’s past and present colliding together, forcing him to reflect on his childhood while coming to terms with the life he has built for himself since.

Produced by Ludo Studio, Allen, is set to premiere on Netflix on November 12, 2026.

T.J. Power Plays Petey

T.J. Power plays the adult version of Petey.

Netflix’s official synopsis states that Petey lost his best friend to alien aggression 20 years prior and never really moved on.

That gives the movie a different starting point from alien adventures where something extraordinary happens to the protagonist for the first time.

Allen follows an adult whose life has been completely shaped by something remarkable that happened to him in his childhood.

That’s something the entire audience can relate to.

Allen Returns After 2 Decades

Netflix does an excellent job of keeping the reason for Allen’s return a mystery.

Its official description states that Petey’s old friend comes back after 20 years, but the reason is both complicated and unexpected.

That’s the big question that drives the movie.

Where has Allen been for the last 20 years?

What has brought him back now?

What does this mean for Petey?

They don’t answer these questions in the advertising directly. Instead, they let the relationship between the characters and the science fiction mystery blend together.

Netflix has classified the movie as nostalgic, imaginative, heartfelt and friendship centered, suggesting the inclusion of science fiction elements helps focus the film on the drama of a family rather than a typical alien invasion film.

Charlotte Nicdao plays Carly and Josh Helman plays Jaden in supporting roles.

Benedict Hardie plays Rory and Emily Barclay is also part of the main cast.

The other main cast members include Chaydon Jay as Roy and Kaipo Heke as Nahuel.

The part of Jim is played by Danny Kim.

Edward O’Sullivan plays the younger version of Petey and Caitlin Niemotko plays a younger Carly.

Nicdao stated that because O’Sullivan’s performance was so good, he helped create a backstory for Petey during childhood that goes beyond the dialogue. They cover that as well.

It shows the consequences of Allen’s return on the friendship Petey has with Rory 20 years later.

For users who come across the title in conjunction with a search for moviebox, the only confirmed official home of Allen is Netflix.

Daley Pearson is the creator and director of the movie, along with Jeffrey Walker.

Pearson co-wrote the script with Sophie Miller.

“It’s about love and family and the things that happen in your childhood that happen to people, that shape them and change them, even after they grow up,” he said about the story.

This gives us an idea of what to expect from the movie.

Allen does have elements of sci-fi, but it’s more than that. It has elements of memories and the relationships we create as children that impact and shape us as adults.

Walker is an Australian director best known for producing The Artful Dodger and Apple Cider Vinegar.

The two of them are turning Pearson’s idea into the first feature length film for Ludo Studio, based on Pearson’s personal and nostalgic idea.

‘Ludo Studio’ produces the film ‘Allen’.

‘Bluey’ has catapulted ‘Ludo Studio’ into the international spotlight, and they are now creating their first feature length films in the live action genre.

Principal photography commenced in Queensland, July 2025.

Much of the movie was shot along the Queensland coast.

According to Netflix, Allen is “A heartwarming and action-packed adventure of friendship set in the beautiful coastal town of Queensland”.

Sam Moor is producing with Ross Allsop, and Charlie Aspinwall, Sophie Miller and Pearson are executive producers.

The film is said to be 1 hour and 45 minutes long.

Netflix classifies the film as sci-fi, drama, family, and coming-of-age.

The coming-of-age classification is unconventional because Petey is an adult. However, the film clearly explores the unresolved childhood experiences of the adult Petey.

Allen’s return forces Petey to revisit his past and the person he used to be. This also reveals how Petey’s childhood friendship influenced him to be the person he is now.

Thus, the film deals with two concepts of growing up.

One is the young Petey who meets an alien being for the first time.

The other is the adult Petey finally facing what that friendship meant.

People who find the film using the keyword ‘moviebox download‘ should understand that those terms are unrelated to the film’s confirmed distribution. Netflix is the film’s only official distribution platform.

Allen arrives on Netflix November 12, 2026

T.J. Power is Petey. The cast includes Charlotte Nicdao, Josh Helman, Emily Barclay, and Benedict Hardie.

Daley Pearson is the creator and writer, along with Sophie Miller. Jeffrey Walker and Daley Pearson are the directors.

The focus is on a simple mystery. There’s not much to unravel.

Petey met someone extraordinary as a child. That person disappeared.

Twenty years have passed.

Now Allen is back. Does Petey have the answers he’s been waiting for?

Allen explores the concept of what happens when an adult faces the unresolved issues of his or her childhood and how those experiences can continue to haunt them. Combined with the science fiction elements, the film also explores themes of memory, family, friendship, and loss.

Loves Company: Rachel Dratch Holds Her Idol

Loves Company is a 2026 dark comedy about an isolated woman, whose obsession with meeting her favorite TV personality becomes a surreal experience for neither of them.

Rachel Dratch stars as Antoinette Funk, a fan living in the Everglades. Blake de Troy, a former TV celebrity, whose career and popularity have taken a nosedive since his earlier years, is played by Jack Plotnick.

When Blake survives a crash near Antoinette’s house, she is certain that she has finally found the person she wants to be her friend.

Readers encountering the title through searches involving 123movies website should distinguish those unrelated search terms from the film’s official distribution.

But for Blake, this is a nightmare.

Written and directed by Jason Laurits, Loves Company will be released on digital platforms by Tribeca Films on 10 November 2026.

Rachel Dratch is Antoinette Funk.

Based on the game show The Hollywood Surprise, Blake was once a recognizable figure on TV.

Although his celebrity has dwindled over the years, this hasn’t changed Antoinette’s love for him.

One day, Blake crashes his car in the swamps near her home. Antoinette takes him in, and is happy to finally have the friend she has always wanted.

Loves Company explores the many possibilities of surrealist comedy with Antoinette’s misplaced idealism.

Fans of the movie will appreciate that Blake’s personality gives an idea of what Antoinette’s dream of friendship with her idol would look like.

Jack Plotnick as Blake de Troy

Jack Plotnick plays Blake de Troy, a former TV personality who has not coped well with losing his claim to fame.

Once he was on TV a lot, but not anymore.

After the accident, he is recovering in Antoinette’s house.

To begin with, he believes that he is in the clutches of an excessively obsessive/compulsive fan.

But then, he starts changing his thoughts about the situation when he realizes that the condition may bring back his lost fame.

As mentioned in the official synopsis, he starts believing the publicity may bring the attention he needs to re-launch his career.

It adds a layer of comedy to the story.

Antoinette needs company, and Blake needs his celebrity status back.

It is funny how both characters are working to achieve the opposite of what the other character needs.

Sarah Baker and Dustin Ingram Also Join Cast

The supporting characters include Sarah Baker as Shoney and Dustin Ingram as Dan.

Other cast members include Bryan Batt as Jimmy, Tristen J. Winger as Tom, and Rex Wheeler (Lady Camden) as Tyler Brandon Hughes.

They give the story multiple plot twists and turn beyond the unconventional relationship between Blake and Antoinette.

The film has Paul Wilson as Don Humphries.

It shows how a quick reversal of Blake and Antoinette’s roles can generate multiple comedic reactions and a myriad of exaggerated comedic situations.

Jason Laurits writes and directs

Jason Laurits debuts his feature directing career with the film Loves Company.

He also wrote the screenplay and is a producer.

Prior to this feature, Laurits worked on short films, Goodbye Tango and Cocktail Hour.

Laurits’ feature film project was produced by Glue Productions, with Joshua J. Bagnall and Sarah Davie listed as producers.

Bagnall was the film’s director of photography and Kate Emerson was the film editor.

The final running time of the film is approximately 95 minutes.

Laurits sets out to create an unconventional comedy about loneliness and touches upon the unsettling divide between the private and public personas of famous people.

Laurits explores public and private personas of celebrities in Loves Company.

The film is inspired by a familiar story of a famous person crossing paths with a devoted admirer.

This story focuses on a character, Antoinette, who is obsessed with Blake, a public figure, and eagerly hopes for the opportunity to meet him.

Blake is desperately trying to avoid this meeting.

Their situation raises questions about the public’s and private’s person’s expectations and the misalignment caused by public celebrity.

In the film, Blake is a celebrity who is quickly falling out of the public eye and becoming an obscure figure.

One of his biggest fans, Antoinette, recognizes Blake is difficult and demanding.

Blake struggles to reconcile himself with the fact that his biggest fan may be the only one who remembers and appreciates him.

This movie is Loves Company’s unique take on the unsettling dichotomy of fame, disappointment and unrequited yearning for recognition.

Laurits is interested in the absurdity of celebrity culture, public figures and private individuals.

Loves Company had a Festival Run

The independent film had a festival run before distributors picked it up.

Its premiere was at the 2026 Dances With Films Festival in Los Angeles.

The film played Frameline50 in San Francisco and the Reeling Film Festival in Chicago.

Program descriptions highlighted the performances of Rachel Dratch and Jack Plotnick and their oddball comedy duo.

There was also interest in the film’s take on celebrity obsession, blending uncomfortable situations with absurdity.

In July of 2026, Tribeca Films picked up the U.S. distribution rights. <Cite refs={[“turn639671search0″,”turn639671search5”]}/>

Where and When to Watch Loves Company

The digital release of Loves Company is scheduled for November 10, 2026, by Tribeca Films.

It skips the theatrical distribution model and heads straight to digital.

Fans searching for the film on watch123 may be confused by unrelated results.

It is available to watch digitally courtesy of Tribeca Films.

Starring Rachel Dratch and Jack Plotnick, Loves Company is a character comedy with celebrity satire.

Antoinette believes the solution to her loneliness is meeting her favorite television personality.

For Blake, restoring his fame is the objective.

The central conflict is created by these disparate goals.

Loves Company is ultimately about idolatry and what happens when someone meets their idol and discovers they are not ideal in the least.

Nuisance Bear: A Polar Bear’s Companion

Nuisance Bear (2026) is a documentary that explores the relationships that polar bears have with the people that they come in contact with in northern Canada.

Directed by Gabriela Osio Vanden and Jack Weisman, the film focuses on one polar bear and how that bear copes with a landscape that is increasingly characterized by wildlife management, tourism and the effects of climate change.

The main focus of the film is in Churchill, Manitoba, a community known for its polar bear population.

Rather than showing the animal solely in its role as a tourist attraction, the film explores what happens when animals use traditional migration routes to cross through human settlements.

For audiences encountering searches involving vidmatе apk 2025, it is important to distinguish those unrelated software terms from the documentary’s confirmed production and distribution companies.

Nuisance Bear (2026) is distributed by MUBI and has its world premiere at the DOC NYC film festival. It starts its limited theatrical release on November 6, 2026.

Churchill Is the Polar Bear Capital of the World

Churchill, Manitoba, is known for its seasonal polar bear viewing.

Hudson Bay has is waters too chilled to support other mammals, and, thus, polar bears end their summer fast on the bay’s shores. As they wait for the ice to return, the bears often wander into Churchill.

Tourism and photography has been a key part of the local economy and the relationship with the polar bears has been positive for both the bears and residents of Churchill.

Nevertheless, the bears use traditional migration paths that sometimes bring them into or near people’s backyards. This is why local laws protect the residents and require that bears be relocated.

For people wanting to learn more about the relationships between polar bears and people, and what the animals experience when they are in contact with people, Nuisance Bear explores this relationship in a way that is rarely shown in traditional wildlife films.

A Polar Bear Becomes a Nuisance

The documentary focuses on a particular polar bear and its ability to interact with its natural environment and survive given the challenges of climate change.

In the process, it shows the bear’s interaction with humans, vehicles, and wildlife officers.

Bears frequently visiting populated areas are defined as “nuisance bears.”

This generally results in the capture and relocation of the bear.

It focuses on this relocation without presenting this as a moral good vs. bad story.

Bear interactions with humans usually stem from the need to forage in an environment altered from its natural state by humans.

The film takes on the challenge of a balanced ecosystem and competes needs of various users of the same limited environment.

It deals primarily with the challenges of our age, climate change.

It reflects on the impact of such change on the daily lives of all species, not just humans.

For people finding the title through searches for vidmate apk 2026, the documеntary is distrуbuted by MUBI, with its theatrical release plan trуmеntlу different fоm googlе searches.

Indigenous Perspectives Deepen The Documentary

Hоw the documеntary captures and presents Indigenous perspectives is one of its strongest elements.

The documеntary uses Inuktitut narration to present the relation ships of Inuit people and community members with polar bears and the environmеnt.

Because of his narration, the documеntary goes beyond viewing wildlife through the lens of tourists and wildlife service authorities.

Indigenous people have fоr generations lived harmоniously with wildlife. Their coexistene is kоwledge and different frоm what modern day tourism tries to promote.

Thе documеntary raises a series of environmental stea rdhship relаted quеstions.

Cultural relаted quеstions and what it means to coexist wіth wildlife are also examined.

How people understand polar bears is an opportunity for the filmmakers to examine and try to answer themes and questiоns fоr the documеntary.

The documеntary touches upon the other side of tourism- was polar bears are encounteг and interacted with by tourists solely fоr the pоps of taking photos wіth wildlife.

These themes and quеstions are eгrаted through Inuit perspectives in the documеntary.

Gabriela Osio Vanden and Jack Weisman Direct

Gabriela Osio Vanden and Jack Weisman direct and filmap this documеntary.

Prior to making this documеntary the filmmakers created a short film called Nuisance Bear released in 2021.

Thеearlier short explored the story of Pоlar bears living in the human dominsted environment of Churchill, Canada.

This feature length documеntary does the same but includes additional cinematography and narrаtive envіronmental context.

The film includes cinematogpghy by a number of differenт collaborators and is edited by Andres Landau.

The score was composed by Cristobal Tapia de Veer.

The documеntary is associated with Documist, A24 and Rise Films.

It is important to help your audience distinguish the unrelated software terms from the documentary’s confirmed production and distribution companies.

The film runs approximately 90 minutes.

Nuisance Bear Wins at Sundance

The documentary premiered at the 2026 Sundance Film Festival.

It won the U.S. Grand Jury Prize: Documentary, one of the festival’s most important awards.

The film later won the Werner Herzog Film Award, among other awards.

The festivals success and other accolades not only propelled the film and its creators into the spotlight, but also helped bring greater recognition to the project and its exploration beyond wildlife documentary conventions.

The cinematography, in particular, made an impression and gave viewers new and unique perspectives on the complicated relationship and connection between humans and the animals of the Arctic.

The film’s release date is November 6, 2026.

Nuisance Bear is released theatrically in LA through MUBI on November 6, 2026.

Add’l NY opens Dec. 4, 2026, with Canada and UK to follow.

Set in the Arctic, the film tells the story of a polar bear and shows how the bear’s traditional migration routes bring it in contact with more and more human activity.

Given the numerous topics it aims to cover and the light it aims to shed, the documentary is quite impressive.

From a human activity perspective, this animal may seem to be a nuisance for invading human space.

However, from the bear’s perspective, that same space may be its ancestral migration path.

Rather than combatting one side of the narrative for the other, Gabriela Osio Vanden and Jack Weisman show how both may coexist.

Nuisance Bear is a powerful documentary that compels the audience to examine and reassess their preconceived notions and perceptions of what “nuisance” means.

It is more than just a documentary about wildlife and the environment and how we as humans must learn to reside and share this world with all its amazing creatures.

Trauma or, Monsters All: A Town’s Dark History

Trauma or, Monsters All (2026) is an upcoming independent horror film in which a writer’s investigation into a small town’s past raises disturbing questions about the townsfolk.

Larry Fessenden, who wrote and directed the film, speaks to issues about the nature of trauma and the varying forms that monsters can take.

Cassandra is a writer who moves to Talbot Falls, a small, quiet community in upstate New York. She begins an ordinary research project that soon uncovers difficult truths and incongruities within the town.

The cast includes Aitana Doyle, Addison Timlin, Barbara Crampton, Alex Hurt, and Laëtitia Hollard.

Distribution by Dark Sky Films will have the movie in U.S. theaters starting November 4, 2026, after it premieres at film festivals.

Laëtitia Hollard Plays Cassandra

Cassandra is a writer who moves to Talbot Falls to research the life of Dr. George Washington Carver.

In order to support herself while researching and writing her book, Cassandra takes a job at the local library where she becomes friends with Agnes.

Cassandra is curious by nature and her research leads to an investigation of the community’s past that brings to light even more disturbing truths.

Troubled by what she finds, she writes a scathing article for the local paper that stirs up even more controversy and public discussion.

For viewers looking for answers to the questions raised by Trauma or Monsters All, they will find Cassandra’s investigation to be central to uncovering the strange occurrences that plague Talbot Falls.

Aitana Doyle and Addison Timlin Join the Cast

Aitana Doyle plays Agnes, the new library colleague and local friend of Cassandra.

Cassandra’s friendship with Agnes makes Talbot Falls a little less strange to Cassandra and a bit more familiar as she learns more about the locals and their business.

Addison Timlin plays Sharon, a local who will also become an important part of the story.

The supporting cast includes Alex Hurt as Charley, Alex Breaux as Adam, Barbara Crampton as Kate and Larry Fessenden as Sam.

Other cast members include James Le Gros, Joshua Leonard, John Speredakos and Micheál Neeson.

The wide cast allows the film to explore Talbot Falls from the different perspectives of the community members.

It is more than a single household with a single supernatural occurrence. The residents of the town become part of the mystery of Talbot Falls.

Talbot Falls Has a Troubled History

Talbot Falls is the central location of the story.

At first, Cassandra goes to Talbot Falls to do research. She then writes an article about the town and draws the community’s attention to the issues that they do not want to discuss.

Dark Sky Films calls it a story about repressed trauma. They say Fessenden explores the judgement that society places on people who are considered “other.”

The judgment of society causes fear, and this leads people to create monsters. Fessenden incorporates elements of traditional Gothic horror like werewolves, vampires and Frankenstein’s monster, to connect thematic elements of his film to Gothic horror.

This film does a great job blending supernatural storytelling with social commentary.

Larry Fessenden Finishes His Monster Series

Larry Fessenden both writes and directs this film.

It completes a series that includes Habit, Depraved, and Blackout.

Each movie has approached monster mythology from a different angle.

In Trauma or Monsters All, Larry Fessenden looks at what happens when people on the outside of these supernatural occurrences look to try to understand their community.

Fessenden stated that he wanted to examine how the public perceives, judges and discusses others.

This makes the film thematically connected to some of his previous work, but you don’t have to watch the others to understand it.

If you’re not familiar with Larry Fessenden, Trauma or Monsters All is made to be seen as a singular work.

If you’ve followed Fessenden’s work, there are many comparable ideas presented in Trauma or Monsters All concerning isolation, divisions in society and human experiences outside of the normal realm.

Fessenden is releasing an independent horror film that utilizes Gothic imagery and explores small town America.

For those who’ve located the film via searches with keywords like “cocoflix tv apk” or “cocoflix app download“, the authorized distributor is Dark Sky Films. The keywords related to the app should not be confused with the film’s distribution.

The distributor has the most up to date information regarding the film’s release schedule and legitimate viewing options.

Trauma or Monsters All is set for limited release on November 4, 2026.

The film was premiered at the Overlook Film Festival in April, 2026, and had its second screening at the Fantasia Film Festival in July.

Larry Fessenden was in attendance at both screenings for a Q&A.

The story in Trauma or, Monsters All is centered on Cassandra, a writer on the fringes of a community, who’s attempt at research to uncover more of the community’s history and the supernatural entities which terrorize the town, changes their perspective on what’s “normal”.

Fessenden poses the central question of Trauma or, Monsters All, as “how do we decide who is other, and why is it that people are often pushed to the margins?”

Fessenden’s hypothesis is that the answer to the mystery is often embedded in the community’s hidden and controversial past.

With Trauma or, Monsters All, Fessenden has rounded out his collection of gothic horror stories with the human element of fear and prejudice at its center.